Wednesday, May 20, 2009

THE SOLID ROCK............Edward Mote

1. My hope is built on nothing less
Than Jesus’ blood and righteousness;
I dare not trust the sweetest frame,
But wholly lean on Jesus’ name.

* Refrain:
On Christ, the solid Rock, I stand;
All other ground is sinking sand,
All other ground is sinking sand.

2. When darkness veils His lovely face,
I rest on His unchanging grace;
In every high and stormy gale,
My anchor holds within the veil.

3. His oath, His covenant, His blood
Support me in the whelming flood;
When all around my soul gives way,
He then is all my hope and stay.

4. When He shall come with trumpet sound,
Oh, may I then in Him be found;
Dressed in His righteousness alone,
Faultless to stand before the throne.

A BEAUTIFUL SONG.....for meditation and reflection....

Tuesday, May 5, 2009

Slow fade......casting crowns

i have been thinking about this song all week.......its one of those nice songs that leave you thinking about life and the decisions we make, the bad and the good. its done by casting crowns off their album 'altar and the door'

"Slow Fade"

Be careful little eyes what you see
It's the second glance that ties your hands as darkness pulls the strings
Be careful little feet where you go
For it's the little feet behind you that are sure to follow

It's a slow fade when you give yourself away
It's a slow fade when black and white have turned to gray
Thoughts invade, choices are made, a price will be paid
When you give yourself away
People never crumble in a day
It's a slow fade, it's a slow fade

Be careful little ears what you hear
When flattery leads to compromise, the end is always near
Be careful little lips what you say
For empty words and promises lead broken hearts astray

It's a slow fade when you give yourself away
It's a slow fade when black and white have turned to gray
Thoughts invade, choices are made, a price will be paid
When you give yourself away
People never crumble in a day

The journey from your mind to your hands
Is shorter than you're thinking
Be careful if you think you stand
You just might be sinking

It's a slow fade when you give yourself away
It's a slow fade when black and white have turned to gray
Thoughts invade, choices are made, a price will be paid
When you give yourself away
People never crumble in a day
Daddies never crumble in a day
Families never crumble in a day

Oh be careful little eyes what see
Oh be careful little eyes what you see
For the Father up above is looking down in love
Oh be careful little eyes what you see

Carrie Prejean.....miss california 2009

Monday, May 4, 2009


Carrie Prejean the reigning miss California was asked a question by a jugde who is openly the recent miss USA. the question was about her opinion on whether other states in the USA should follow vermont's example and legalise homosexual marriages.

Her answer was simple "We live in a land where you can choose same-sex marriage or opposite. And you know what, I think in my country, in my family, I think that I believe that a marriage should be between a man and a woman. No offense to anybody out there, but that's how I was raised."

this answer cost her the Miss USA crown and at the end of the day she came 2nd, though she had been leading and was favourite to win.

Perez and openly gay man and a blogger, who calls himself 'queen of the media' went aheard to attack her calling her a 'dump bitch, with a half mind'......but this lady has attracted many supporters, mostly those who are anti-gay marriage.

She did not win the crown but i think she is a WINNER for standing for what she believes in.

You know America is a country admired by many.....but how can someone like Perez Hilton have such influence and being made a judge worsens everything.
what he wanted Carrie to do is to say something that pleased his ears......well she didnt......

Read more here:

check video here:

Wednesday, April 29, 2009

2009 DOVE AWARDS! 23/04/09

2009 Winners

Steven Curtis Chapman

Tenth Avenue North

Steven Curtis Chapman

SONG OF THE YEAR song title; writer; publisher (award to the writer and publisher)
“Give Me Your Eyes”; Brandon Heath, Jason Ingram; Sitka 6 Music/Essential Music Publishing (ASCAP), Peertunes Ltd. (SESAC), Grange Hill Music (SESAC), Windsor Way (SESAC)

Brandon Heath

Natalie Grant

Casting Crowns

Bernie Herms

RAP/HIP HOP RECORDED SONG (song; album; artist; writer; label)
“Do Yo Thang”; The Yearbook; KJ-52; Jonah Sorrentino; BEC Recordings/Uprok

“Lost”; End Of Silence; Red; Jasen Rauch, Rob Graves, Chad Cates; Essential Records

“Washed By The Water”; The Heat; NEEDTOBREATHE; Bear Rinehart, Bo Rinehart; Atlantic Records

“Give Me Your Eyes”; What If We; Brandon Heath; Brandon Heath, Jason Ingram; Reunion Records

“A New Hallelujah”; A New Hallelujah; Michael W. Smith; Michael W. Smith, Debbie Smith, Paul Baloche; Reunion Records

“Reason Enough”; Dream On; Ernie Haase & Signature Sound; Ernie Haase, Joel Lindsey, Wayne Haun; Gaither Music Group

“They’re Holding Up The Ladder”; We Are Family; Jeff & Sheri Easter, Lewis Family, Easter Brothers; Russell Easter, James Easter, Edd Easter; Daywind Records

“I Wish”; How You Live Deluxe Edition; Point of Grace; Cindy Morgan, Phil Madeira; Word Records

“Get Up”; The Sound; Mary Mary; Warryn Campbell, Erica Campbell, Tina Campbell, Eric Dawkins; Columbia Records, Integrity Music

“Free At Last”; Down In New Orleans; The Blind Boys of Alabama; Traditional; Time Life Music

“How Great Is Our God”; How Great Is Our God; LaRue Howard; Chris Tomlin, Jesse Reeves, Ed Cash; EMI Gospel

“Mighty To Save”; Ben Fielding, Reuben Morgan; Hillsong Publishing

RAP/HIP HOP ALBUM (album; artist; producer; label)
Ordinary Dreamers; Group 1 Crew; Andy Anderson, Christopher Stevens, Sam Mizell; Fervent Records

Satisfied; DecembeRadio; Scotty Wilbanks; Slanted Records

Never Going Back To OK; The Afters; Dan Muckala; INO Records

Revelation; Third Day; Howard Benson; Essential Records

Great God Who Saves; Laura Story; Ed Cash; INO Records

Lovin’ Life; Gaither Vocal Band; Bill Gaither, Guy Penrod, Marshall Hall, Wes Hampton; Gaither Music Group

We Are Family; Ricky Jeff & Sheri Easter, Lewis Family, Easter Brothers; Jeff Easter, Sheri Easter; Daywind Records

Around the Bend; Randy Travis; Kyle Lehning; Warner Bros. Records

The Fight of My Life; Kirk Franklin; Kirk Franklin; Zomba Gospel

Down In New Orleans; The Blind Boys of Alabama; Chris Goldsmith; Time Life Music, Integrity Music

Change the World; Martha Munizzi; Aaron Lindsey, Israel Houghton; Martha Munizzi Music

Chronicles of Narnia: Prince Caspian; Various; Harry Gregson-Williams; Walt Disney Records

Absolute Modern Worship for Kids 4; Various; Chance Scoggins; Fervent Records

Rescatame; Seventh Day Slumber; Alejandro Allen, Susana Allen; BEC Recordings

Passion: God of This City; Chris Tomlin, Charlie Hall, David Crowder*Band, Christy Nockels, Kristian Stanfill, Fee, Matt Redman; Nathan Nockels; Sparrow Records, sixsteps Records

Peace on Earth; Casting Crowns; Mark Hall, Mark A. Miller; Beach Street

A New Hallelujah; Michael W. Smith; Michael W. Smith; Reunion Records

MUSICAL (title; creator; publisher (award given to creator)
God Bless the USA; Sue C. Smith, Joel Lindsey, Russell Mauldin; Brentwood-Benson Music Publishing

An Island Christmas; Wayne Haun, Shelby Haun, Joel Lindsey; Lillenas Publishing Company

I’ll Say Yes; Carol Cymbala; Brooklyn Tabernacle Music

RECORDED MUSIC PACKAGING (product; art director; graphic artist; illustrator/photographer; label)
Revelation (Third Day); Tim Parker, Becka Blackburn; Tim Parker; David McClister, RW Sims; Essential Records

SHORT FORM MUSIC VIDEO (title; artist; director; producer; production company; label)
"Slow Fade"; Casting Crowns; John Erwin, Andy Erwin; Erwin Brothers Motion Pictures; Beach Street

LONG FORM MUSIC VIDEO ( title; artist; director; producer; production company; label)
Alive and Transported; TobyMac; Eric Welch; Tameron Hedge, Dan Pitts; Broken Poet Productions; ForeFront Records

Wednesday, July 2, 2008

BELLA, the movie

Bella Genre: Drama Duration: 1 hr. 31 min. Starring: Ali Landry, Eduardo Verastegui, Jaime Tirelli, Manny Perez, Ramon Rodriguez, Director: Alejandro Gomez Monteverde Producer: Alejandro Gomez Monteverde, Denise Pinckley, Eduardo Verastegui, Jason Jones, Leo Severino Distributor: Inferno Distribution Release Date: October 26, 2007 (limited), September 9, 2006 (Toronto Film Festival) Writer: Alejandro Gomez Monteverde, Patrick Million
SynopsisAn international soccer star (Eduardo Verástegui) is on his way to sign a multi-million dollar contract when something happens that brings his career to an abrupt end. A waitress (Tammy Blanchard), struggling to make it in New York City, discovers something about herself that she's unprepared for. In one irreversible moment, their lives are turned upside down...until an impetuous action brings them together and turns an ordinary day into an unforgettable experience. Once a famous athlete, and now a cook at his brother's Mexican restaurant, José has retreated from the world but he recognizes something in Nina, a young waitress, and reaches out to her. In the course of a single day, he not only confronts his past but shows her how the healing power of a family can help her embrace the future.
Movie Reviews:
a movie review by: James Bowman
"I can’t even take care of myself; how am I going to take care of a kid?" says the beautiful Nina (Tammy Blanchard) to Jesus-like — or perhaps more Joseph-like — José (Eduardo Verástegui) in Bella, by the Mexican-American director, Alejandro Gomez Monteverde. It’s a story as familiar as the continuing saga of Britney Spears, except that Britney never thought to use her own incompetence as an excuse for aborting her children. Nina, who does think of it, has none of Britney’s craziness. There is no obvious substance abuse or bad driving. We can’t imagine her shaving her head. At worst she seems a bit disorganized and has a problem with punctuality which gets her fired from her job as a waitress at the restaurant run by José’s hard-charging brother, Manny (Manny Perez). José, who works there as head chef, decides on the spur of the moment to take the day off to find out what’s wrong in her life.
The answer is not quite enough, unfortunately. We learn that she’s pregnant and disinclined to keep the child, partly because her own childhood was an unhappy one. Her mother had gone into an emotional tailspin after her father’s death. "I raised myself — and her," she tells José. It’s reason enough, perhaps, for her not to want children of her own, but how, then, are we supposed to believe that she’s unable to look after a child? She might have other problems, but we never find out what they are. Her refusal even to consider marrying the anonymous father of her unborn child, in particular, suggests a personal disorder that the film doesn’t care to explore. Why has she been sleeping with a man she doesn’t love, or even like?
The reticence of Mr Monteverde and his fellow screenwriters, Patrick Million and Leo Severino, on these questions is a pity, since it means that everything we see of Nina shows her as being much too pulled together, competent and attractive for someone who is supposed to be so helpless and unable to cope. We may get the feeling that we’re being protected from the sight of what would otherwise look like the cold, calculating ruthlessness with which Nina decides to "take care of" her pregnancy when, for obvious reasons, it is important for the film not to allow us to lose sympathy for her.
The reason for this moral continuity error will soon become equally obvious. It is that Bella, though a charming and even moving film at times, is propaganda — superior and well-made propaganda, to be sure, and with a message that I happen to agree with, but still propaganda. As such, it has the limitations of the form, the chief of which are that the characters tend to the emblematic and don’t look quite real and that we’re aware from the start that the deck has been stacked and the dramatic conflict has to come out the way it does.
That having been said, Mr Monteverde does a good job of keeping our interest. The first we see of José, he is at the beach closely observing a little girl as she plays in the surf. Is he, perhaps a pervert? Then we flash back to a time some years previous to the main action when José, minus his Jesus-beard, is a soccer star and hero of the Hispanic streets. He is about to sign a big contract to play professionally and is apparently without a care in the world. A sense of foreboding hangs over his kicking a ball around with some boys in the street, taking their ball to get it autographed by the team he is about to join, and then getting in the car with his manager to sign the contract.
We’re not quite sure, yet, how he will make the transition from this rich, famous, stylish athlete and sex-symbol to the brooding, bearded figure behind the stove in his brother’s restaurant, but the sense of doomed youth hangs over the film from the opening voiceover at the beach: "My grandmother always said if you want to make God laugh, tell him your plans." In other words, he, like Nina, experiences a plan-changing — and life-changing — event, though we’re not told what it is until near the end. Likewise, José’s tense relationship with Manny, who is furious with him for walking out just as the lunch crowd is about to arrive, conceals a family secret that will only be revealed gradually, though opportunely, as José takes Nina from the city to Long Island to meet the rest of his family.
Like José and Nina, José’s mother (Angélica Aragón), father (Jaime Tirelli), brother Eduardo (Ramon Rodriguez) and other family members are too attractive to be quite real. Their job is to stand for the joys of family life that Nina, intent on her abortion, has never really known. Such relentless life-affirmation extends even to a blind beggar they meet on the way with a sign saying: "God closed my eyes; now I can see." Clearly, it would take a woman much more stony-hearted than Nina to hold out against all this. I don’t want to be too hard on a movie that I did enjoy and that preaches what I, too, believe. The Sunday-school lesson is right, true and much-needed, but it’s still, alas, a Sunday-school lesson.
official site of the movie

Wednesday, January 23, 2008

WHY ME Movie

watch it here on Godtube:

Why Me" tells the story of a young woman and her husband who find themselves pregnant at an extremely critical stage of professional development in their careers as dancers. Emma (played by Maddy Curley - featured actress in CBS's CSI: NY, and Disney's feature film Stick It, released in 2006), the wife, learns of her pregnancy privately and does not inform her husband. She decides to quietly have an abortion and keep her husband out-of-the-loop as they prepare for the esteemed International Championships in Paris. Upon finding a print of the pregnancy-confirming ultrasound tucked in Emma's Bible one morning, husband Charlie (played by Josh Holt - television credits include Gilmore Girls, Star Trek: Enterprise and Jack and Bobby, film credits include Our Very Own) is faced with the dilemma of confronting his wife. The film follows the journey of husband and wife, partners in marriage and career, but seemingly strangers as life altering issues arise. In "Why Me" you will see how this couple eventually deals with pregnancy while learning valuable lessons about life, truth, love and consequences.